Thursday, June 28, 2012

 

Epstein, Hudson and Rima
 I have a fondness for the books of Patagonian-born Englishman W.H. Hudson, writer and ornithologist. Nature In Downland is an evocation of the Sussex Downs, my “heimat” as it were, whilst his remembrances of Patagonia in Far Away and Long Ago and in Idle Days in Patagonia still bear reading. And of course there is his most celebrated work, Green Mansions, “a romance of the tropical forest”.
Perhaps less well known is that one of the leading characters of Green Mansions, the young woman Rima, can be discovered inhabiting the wilderness of....Hyde Park.
Whilst I might have a fondness for Hudson, the same cannot be said for the sculptor Jacob Epstein, whose best work was The Rock Drill and whose opus, in my opinion,then went into rapid decline with heavy and uninspired work. He certainly appears to have been an anarchist in his younger years, though he was very cagey about this in later years. He did admit to attending meetings addressed by Kropotkin and Emma Goldman, knowing anarchists like Victor Dave and Hutchins Hapgood, and dressing for a time like a “traditional anarchist”, whatever that means! Anyway when Hudson died in 1922, there was a proposal to set up a bird sanctuary near the Serpentine in Hyde Park. Epstein was commissioned to create a statue of the “forest spirit” Rima, whilst the surround fell to Lionel Pearson and the actual architectural block to Muirhead Bone. Rima looks more like an Egyptian princess than a Latin American forest dweller. She sports long hair flying out behind her, with a large eagle to her left and a smaller bird to her right.
In front of the structure is a small and stagnant pool, ringed by a lawn and a low fence. Weather and lichen have left their ravages on the monument.
Whatever one’s opinions of the quality of the work, it certainly did not deserve the philistine campaign, so often seen in Britain which it then underwent (witness a later and similar campaign against Rachel Whiteread’s work in East London). Horror was expressed at Rima’s nudity, That wonderful paper The Daily Mail described it as The Hyde Park Atrocity and that it should be taken away and there was a wave of press agitation from May to December 1925, with the slab being painted green in November. Blackshirts seem to have been involved in attacks on the figure, with a tarring and feathering in on two occasions in following years, and an attack on it with chemicals in 1935.  It cannot be ignored that figuring in this attack, with its accusations of “Bolshevik art”, was an unhealthy dose of anti-semitim, as Epstein was a Polish-Russian Jew from America.
Now the monument lies in an unfrequented part of the Park near the Serpentine Bridge. If the fortunes of Epstein seem to have been rejuvenated with a recent exhibitionof Vorticism, Hudson remains sadly neglected, with little recognition for him as a premier writer on nature.

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